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During the whole of a dull, dark, and soundless day in theautumn of the year, when the
clouds hung oppressively low in theheavens, I had been passing alone, on horseback,
through asingularly dreary tract of country; and at length found myself,as the shades of
the evening drew on, within view of themelancholy House of Usher. I know not how it
was--but, with thefirst glimpse of the building, a sense of insufferable gloompervaded my
spirit. I say insufferable; for the feeling wasunrelieved by any of that
half-pleasureable, because poetic,sentiment, with which the mind usually receives even the
sternestnatural images of the desolate or terrible. I looked upon thescene before me--upon
the mere house, and the simple landscapefeatures of the domain--upon the bleak walls--upon
the vacanteye-like windows--upon a few rank sedges--and upon a few whitetrunks of decayed
trees--with an utter depression of soul which Ican compare to no earthly sensation more
properly than to theafter-dream of the reveller upon opium--the bitter lapse intoeveryday
life--the hideous dropping off of the veil. There wasan iciness, a sinking, a sickening of
the heart--an unredeemeddreariness of thought which no goading of the imagination
couldtorture into aught of the sublime. What was it--I paused tothink--what was it that so
unnerved me in the contemplation ofthe House of Usher? It was a mystery all insoluble; nor
could Igrapple with the shadowy fancies that crowded upon me as Ipondered. I was forced to
fall back upon the unsatisfactoryconclusion, that while, beyond doubt, there <i are>
combinationsof very simple natural objects which have the power of thusaffecting us, still
the analysis of this power lies amongconsiderations beyond our depth. It was possible, I
reflected,that a mere different arrangement of the particulars of thescene, of the details
of the picture, would be sufficient tomodify, or perhaps to annihilate its capacity for
sorrowfulimpression; <p 138> and, acting upon this idea, I reined my horseto the
precipitous brink of a black and lurid tarn that lay inunruffled lustre by the dwelling,
and gazed down--but with ashudder even more thrilling than before--upon the remodelled
andinverted images of the grey sedge, and the ghastly tree-stems,and the vacant and
eye-like windows. Nevertheless, in this mansion of gloom I now proposed tomyself a sojourn
of some weeks. Its proprietor, Roderick Usher,had been one of my boon companions in
boyhood; but many years hadelapsed since our last meeting. A letter, however, had
latelyreached me in a distant part of the country--a letter from him--which, in its wildly
importunate nature, had admitted of no otherthan a personal reply. The MS gave evidence of
nervousagitation. The writer spoke of acute bodily illness--of a mentaldisorder which
oppressed him--and of an earnest desire to see me,as his best, and indeed his only
personal friend, with a view ofattempting, by the cheerfulness of my society, some
alleviationof his malady. It was the manner in which all this, and muchmore, was said--it
was the apparent <i heart> that went with hisrequest--which allowed me no room for
hesitation; and Iaccordingly obeyed forthwith what I still considered a verysingular
summons. Although, as boys, we had been even intimate associates, yetI really knew little
of my friend. His reserve had been alwaysexcessive and habitual. I was aware, however,
that his veryancient family had been noted, time out of mind, for a peculiarsensibility of
temperament, displaying itself, through long ages,in many works of exalted art, and
manifested, of late, inrepeated deeds of munificent yet unobtrusive charity, as well asin
a passionate devotion to the intricacies, perhaps even morethan to the orthodox and easily
recognizable beauties, of musicalscience. I had learned, too, the very remarkable fact,
that thestem of the Usher race, all time-honoured as it was, had putforth, at no period,
any enduring branch; in other words, thatthe entire family lay in the direct line of
descent, and hadalways, with very trifling and very temporary variation, so lain. It was
this deficiency, I considered, while running over inthought the perfect keeping of the
character of the premises withthe accredited character of the people, and while
speculatingupon the possible influence which the one, in <p 139> the longlapse of
centuries, might have exercised upon the other--it wasthis deficiency, perhaps, of
collateral issue, and the consequentundeviating transmission, from sire to son, of the
patrimony withthe name, which had, at length, so identified the two as to mergethe
original title of the estate in the quaint and equivocalappellation of the 'House of
Usher'--an appellation which seemedto include, in the minds of the peasantry who used it,
both thefamily and the family mansion. I have said that the sole effect of my somewhat
childishexperiment--that of looking down within the tarn--had been todeepen the first
singular impression. There can be no doubt thatthe consciousness of the rapid increase of
my suspersition--forwhy should I not so term it?--served mainly to accelerate theincrease
itself. Such, I have long known, is the paradoxical lawof all sentiments having terror as
a basis. And it might havebeen for this reason only, that, when I again uplifted my eyes
tothe house itself, from its image in the pool, there grew in mymind a strange fancy--a
fancy so ridiculous, indeed, that I butmention it to show the vivid force of the
sensations whichoppressed me. I had so worked upon my imagination as really tobelieve that
about the whole mansion and domain there hung anatmosphere peculiar to themselves and
their immediate vicinity--an atmosphere which had no affinity with the air of heaven,
butwhich had reeked up from the decayed trees, and the grey wall,and the silent tarn--a
pestilent and mystic vapour, dull,sluggish, faintly discernible, and leaden-hued. Shaking
off from my spirit what <i must> have been a dream,I scanned more narrowly the real
aspect of the building. Itsprincipal feature seemed to be that of an excessive antiquity.
The discoloration of ages had been great. Minute <i fungi>overspread the whole
exterior, hanging in a fine tangled web-workfrom the eaves. Yet all this was apart from
any extraordinarydilapidation. No portion of the masonry had fallen; and thereappeared to
be a wild inconsistency between its still perfectadaptation of parts, and the crumbling
condition of theindividual stones. In this there was much that reminded me ofthe specious
totality of old woodwork which has rotted for longyears in some neglected vault, with no
disturbance from thebreath of the external air. Beyond <p 140> this indication
ofextensive decay, however, the fabric gave little token ofinstability. Perhaps the eye of
a scrutinizing observer mighthave discovered a barely perceptible fissure, which,
extendingfrom the roof of the building in front, made its way down thewall in a zigzag
direction, until it became lost in the sullenwaters of the tarn. Noticing these things, I
rode over a short causeway to thehouse. A servant in waiting took my horse, and I entered
theGothic archway of the hall. A valet, of stealthy step, thenceconducted me, in silence,
through many dark and intricatepassages in my progress to the <i studio> of his
master. Muchthat I encountered on the way contributed, I know not how, toheighten the
vague sentiments of which I have already spoken. While the objects around me--while the
carvings of the ceilings,the sombre tapestries of the walls, the ebon blackness of
thefloors, and the phantasmagoric armorial trophies which rattled asI strode, were but
matters to which, or to such as which, I hadbeen accustomed from my infancy--while I
hesitated not toacknowledge how familiar was all this--I still wondered to findhow
unfamiliar were the fancies which ordinary images werestirring up. On one of the
staircases, I met the physician ofthe family. His countenance, I thought, wore a
mingledexpression of low cunning and perplexity. He accosted me withtrepidation and passed
on. The valet now threw open a door andushered me into the presence of his master. The
room in which I found myself was very large and lofty. The windows were long, narrow, and
pointed, and at so vast a dis-tance from the black oaken floor as to be altogether
inaccessiblefrom within. Feeble gleams of encrimsoned light made their waythrough the
trellised panes, and served to render sufficientlydistinct the more prominent objects
around; the eye, however,struggled in vain to reach the remoter angles of the chamber,
orthe recesses of the vaulted and fretted ceiling. Dark draperieshung upon the walls. The
general furniture was profuse,comfortless, antique, and tattered. Many books and
musicalinstruments lay scattered about, but failed to give any vitalityto the scene. I
felt that I breathed an atmosphere of sorrow. An air of stern, deep, and irredeemable
gloom hung over andpervaded all. <p 141> Upon my entrance, Usher rose from a sofa on
which he hadbeen lying at full length, and greeted me with a vivacious warmthwhich had
much in it, I at first thought, of an overdonecordiality--of the constrained effort of the
<i ennuye> man ofthe world. A glance, however, at his countenance, convinced meof
his perfect sincerity. We sat down; and for some moments,while he spoke not, I gazed upon
him with a feeling half of pity,half of awe. Surely, man had never before so terribly
altered,in so brief a period, as had Roderick Usher! It was withdifficulty that I could
bring myself to admit the identity of thewan being before me with the companion of my
early boyhood. Yetthe character of his face had been at all times remarkable.
Acadaverousness of complexion; an eye large, liquid, and luminousbeyond comparison; lips
somewhat thin and very pallid, but of asurpassing beautiful curve; a nose of a delicate
Hebrew model,but with a breadth of nostril unusual in similar formations; afinely-moulded
chin, speaking, in its want of prominence, of awant of moral energy; hair of a more than
web-like softness andtenuity; these features, with an inordinate expansion above
theregions of the temple, made up altogether a countenance noteasily to be forgotten. And
now in the mere exaggeration of theprevailing character of these features, and of the
expressionthey were wont to convey, lay so much of change that I doubted towhom I spoke.
The now ghastly pallor of the skin, and the nowmiraculous lustre of the eye, above all
things startled and evenawed me. The silken hair, too, had been suffered to grow
allunheeded, and as, in its wild gossamer texture, it floated ratherthan fell about the
face, I could not, even with effort, connectits arabesque expression with any idea of
simple humanity. In the manner of my friend I was at once struck with anincoherence--an
inconsistency; and I soon found this to arisefrom a series of feeble and futile struggles
to overcome anhabitual trepidancy--an excessive nervous agitation. Forsomething of this
nature I had indeed been prepared, no less byhis letter, than by reminiscences of certain
boyish traits, andby conclusions deduced from his peculiar physical conformationand
temperament. His action was alternately vivacious andsullen. His voice varied rapidly from
a tremulous indecision(when the animal <p 142> spirits seemed utterly in abeyance)
tothat species of energetic concision--that abrupt, weighty,unhurried, and hollow-sounding
enunciation--that leaden, self-balanced and perfectly modulated guttural utterance, which
may beobserved in the lost drunkard, or the irreclaimable eater ofopium, during the
periods of his most intense excitement. It was thus that he spoke of the object of my
visit, of hisearnest desire to see me, and of the solace he expected me toafford him. He
entered, at some length, into what he conceivedto be the nature of his malady. It was, he
said, aconstitutional and a family evil, and one for which he despairedto find a remedy--a
mere nervous affection, he immediately added,which would undoubtedly soon pass off. It
displayed itself in ahost of unnatural sensations. Some of these, as he detailedthem,
interested and bewildered me; although, perhaps, the terms,and the general manner of the
narration had their weight. Hesuffered much from a morbid acuteness of the senses; the
mostinsipid food was alone endurable; he could wear only garments ofcertain texture; the
odours of all flowers were oppressive; hiseyes were tortured by even a faint light; and
there were butpeculiar sounds, and these from stringed instruments, which didnot inspire
him with horror. To an anomalous species of terror I found him a boundenslave. 'I shall
perish,' said he, 'I <i must> perish in thisdeplorable folly. Thus, thus, and not
otherwise, shall I belost. I dread the events of the future, not in themselves, butin
their results. I shudder at the thought of any, even the mosttrivial, incident, which may
operate upon this intolerableagitation of soul. I have, indeed, no abhorrence of
danger,except in its absolute effect--in terror. In this unnerved--inthis pitiable
condition--I feel that the period will sooner orlater arrive when I must abandon life and
reason together, insome struggle with the grim phantasm, FEAR.' I learned, moreover, at
intervals, and through broken andequivocal hints, another singular feature of his
mentalcondition. He was enchained by certain superstitious impressionsin regard to the
dwelling which he tenanted, and whence, for manyyears, he had never ventured forth--in
regard to an influencewhose supposititious force was conveyed in terms too shadowy hereto
be re-stated--an influence which some peculiarities in themere <p 143> form and
substance of his family mansion, had, bydint of long sufferance, he said, obtained over
his spirit--aneffect which the <i physique> of the grey walls and turrets, andof the
dim tarn into which they all looked down, had, at length,brought about upon the <i
morale> of his existence. He admitted, however, although with hesitation, that much
ofthe peculiar gloom which thus afflicted him could be traced to amore natural and far
more palpable origin--to the severe andlong-continued illness--indeed to the evidently
approaching dis-solution--of a tenderly beloved sister--his sole companion forlong
years--his last and only relative on earth. 'Her decease,'he said, with a bitterness which
I can never forget, 'would leavehim (him the hopeless and the frail) the last of the
ancient raceof the Ushers.' While he spoke, the Lady Madeline (for so wasshe called)
passed slowly through a remote portion of theapartment, and, without having noticed my
presence, disappeared. I regarded her with an utter astonishment not unmingled
withdread--and yet I found it impossible to account for suchfeelings. A sensation of
stupor oppressed me, as my eyesfollowed her retreating steps. When a door, at length,
closedupon her, my glance sought instinctively and eagerly thecountenance of the
brother--but he had buried his face in hishands, and I could only perceive that a far more
than ordinarywanness had overspread the emaciated fingers through whichtrickled many
passionate tears. The disease of the Lady Madeline had long baffled the skillof her
physicians. A settled apathy, a gradual wasting away ofthe person, and frequent although
transient affections of apartially cataleptical character, were the unusual diagnosis.
Hitherto she had steadily borne up against the pressure of hermalady, and had not betaken
herself finally to bed; but, on theclosing in of the evening of my arrival at the house,
shesuccumbed (as her brother told me at night with inexpressibleagitation) to the
prostrating power of the destroyer; and Ilearned that the glimpse I had obtained of her
person would thusprobably be the last I should obtain--that the lady, at leastwhile
living, would be seen by me no more. For several days ensuing, her name was unmentioned by
eitherUsher or myself; and during this period I was busied in earnest<p 144>
endeavours to alleviate the melancholy of my friend. Wepainted and read together; or I
listened, as if in a dream, tothe wild improvisations of his speaking guitar. And thus, as
acloser and still closer intimacy admitted me more unreservedlyinto the recesses of his
spirit, the more bitterly did I perceivethe futility of all attempt at cheering a mind
from whichdarkness, as if an inherent positive quality, poured forth uponall objects of
the moral and physical universe, in one unceasingradiation of gloom. I shall ever bear
about me a memory of the many solemn hoursI thus spent alone with the master of the House
of Usher. Yet Ishould fail in any attempt to convey an idea of the exactcharacter of the
studies, or of the occupations, in which heinvolved me, or led me the way. An excited and
highlydistempered ideality threw a sulphureous lustre over all. Hislong improvised dirges
will ring for ever in my ears. Amongother things, I hold painfully in mind a certain
singularperversion and amplification of the wild air of the last waltz ofVon Weber. From
the paintings over which his elaborate fancybrooded, and which grew, touch by touch, into
vagueness at whichI shuddered the more thrillingly, because I shuddered knowing
notwhy;--from these paintings (vivid as their images now are beforeme) I would in vain
endeavour to educe more than a small portionwhich should lie within the compass of merely
written words. Bythe utter simplicity, by the nakedness of his designs, hearrested and
overawed attention. If ever mortal painted an idea,that mortal was Roderick Usher. For me
at least--in thecircumstances then surrounding me--there arose out of the pureabstractions
which the hypochondriac contrived to throw upon hiscanvas, an intensity of intolerable
awe, no shadow of which feltI ever yet in the contemplation of the certainly glowing yet
tooconcrete reveries of Fuseli. One of the phantasmagoric conceptions of my
friend,partaking not so rigidly of the spirit of abstraction, may beshadowed forth,
although feebly, in words. A small picturepresented the interior of an immensely long and
rectangular vaultor tunnel, with low walls, smooth, white, and withoutinterruption or
device. Certain accessory points of the designserved well to convey the idea that this
excavation lay at anexceeding depth below the surface of the earth. No outlet wasobserved
in any <p 145> portion of its vast extent, and no torch,or other artificial source
of light was discernible; yet a floodof intense rays rolled throughout, and bathed the
whole in aghastly and inappropriate splendour. I have just spoken of that morbid condition
of the auditorynerve which rendered all music intolerable to the sufferer, withthe
exception of certain effects of stringed instruments. Itwas, perhaps, the narrow limits to
which he thus confined himselfupon the guitar, which gave birth, in great measure, to
thefantastic character of the performances. But the fervid <ifacility> of his <i
impromptus> could not be so accounted for. They must have been, and were, in the notes,
as well as in thewords of his wild fantasies (for he not unfrequently accompaniedhimself
with rhymed verbal improvisations), the result of thatintense mental collectedness and
concentration to which I havepreviously alluded as observable only in particular moments
ofthe highest artificial excitement. The words of one of theserhapsodies I have easily
remembered. I was, perhaps, the moreforcibly impressed with it, as he gave it, because, in
the underor mystic current of its meaning, I fancied that I perceived, andfor the first
time, a full consciousness on the part of Usher, ofthe tottering of his lofty reason upon
her throne. The verses,which were entitled 'The Haunted Palace', ran very nearly, if
notaccurately, thus: I In the greenest of our valleys, By good angels tenanted, Once a
fair and stately palace-- Radiant palace--reared its head. In the monarch Thought's
dominion-- It stood there! Never seraph spread a pinion Over fabric half so fair. II
Banners yellow, glorious, golden, On its roof did float and flow; (This--all this--was in
the olden Time long ago) <p 146> And every gentle air that dallied, In that sweet
day, Along the ramparts plumed and pallid, A winged odour went away. III Wanderers in that
happy valley Through two luminous windows saw Spirits moving musically To a lute's well
tuned law, Round about a throne, where sitting (Porphyrogene!) In state his glory well
befitting, The ruler of the realm was seen. IV And all with pearl and ruby glowing Was the
fair palace door, Through which came flowing, flowing, flowing And sparkling evermore, A
troop of Echoes whose sweet duty Was but to sing, In voices of surpassing beauty, The wit
and wisdom of their king. V But evil things, in robes of sorrow, Assailed the monarch's
high estate; (Ah, let us mourn, for never morrow Shall dawn upon him, desolate!) And,
round about his home, the glory That blushed and bloomed Is but a dim-remembered story, Of
the old time entombed. VI And travellers now within that valley, Through the red-litten
windows, see Vast forms that move fantastically To a discordant melody; <p 147>
While, like a rapid ghastly river, Through the pale door, A hideous throng rush out
forever, And laugh--but smile no more. I well remember that suggestions arising from this
ballad,led us into a train of thought wherein there became manifest anopinion of Usher's
which I mention not so much on account of itsnovelty (for other men1 have thought thus),
as on account of thepertinacity with which he maintained it. This opinion, in itsgeneral
form, was that of the sentience of all vegetable things. But, in his disordered fancy, the
idea had assumed a more daringcharacter, and trespassed, under certain conditions, upon
thekingdom of inorganization. I lack words to express the fullextent, or the earnest <i
abandon> of his persuasion. Thebelief, however, was connected (as I have previously
hinted) withthe grey stones of the home of his forefathers. The conditionsof the sentience
had been here, he imagined, fulfilled in themethod of collocation of these stones--in the
order of theirarrangement, as well as in that of the many <i fungi> whichoverspread
them, and of the decayed trees which stood around--above all, in the long undisturbed
endurance of this arrangement,and in its reduplication in the still waters of the tarn.
Itsevidence--the evidence of the sentience--was to be seen, he said,(and I here started as
he spoke) in the gradual yet certaincondensation of an atmosphere of their own about the
waters andthe walls. The result was discoverable, he added, in thatsilent, yet importunate
and terrible influence which forcenturies had moulded the destinies of his family, and
which made<i him> what I now saw him--what he was. Such opinions need nocomment, and
I will make none. Our books--the books which, for years, had formed no smallportion of the
mental existence of the invalid--were, as might besupposed, in strict keeping with this
character of phantasm. Wepored together over such works as the <i Ververt et
Chartreuse>of Gresset; the <i Belphegor> of Machiavelli; the <i Heaven
andHell> of1 Watson, Dr Percival, Spallanzani, and especially the Bishop ofLandaff.
<p 148>Swedenborg; the <i Subterranean Voyage of Nicholas Klimm> byHolberg;
the <i Chiromancy> of Robert Flud, of Jean D'Indagine,and of De la Chambre; the
<i Journey into the Blue Distance> ofTieck; and the <i City of the Sun> by
Campanella. One favouritevolume was a small octavo edition of the <i
DirectoriumInquisitorum>, by the Dominican Eymeric de Gironne; and therewere passages
in <i Pomponius Mela>, about the old African Satyrsand Aegipans, over which Usher
would sit dreaming for hours. Hischief delight, however, was found in the perusal of
anexceedingly rare and curious book in quarto Gothic--the manual ofa forgotten church--the
<i Vigiliae Mortuorum Chorum EcclesiaeMaguntinae>. I could not help thinking of the
wild ritual of this work,and of its probable influence upon the hypochondriac, when,
oneevening, having informed me abruptly that the Lady Madeline wasno more, he stated his
intention of preserving her corpse for afortnight (previously to its final interment), in
one of thenumerous vaults within the main walls of the building. Theworldly reason,
however, assigned for this singular proceeding,was one which I did not feel at liberty to
dispute. The brotherhad been led to his resolution (so he told me) by considerationof the
unusual character of the malady of the deceased, ofcertain obtrusive and eager inquiries
on the part of her medicalmen, and of the remote and exposed situation of the
burial-groundof the family. I will not deny that when I called to mind thesinister
countenance of the person whom I met upon the staircase,on the day of my arrival at the
house, I had no desire to opposewhat I regarded as at best but a harmless, and by no means
anunnatural, precaution. At the request of Usher, I personally aided him in
thearrangements for the temporary entombment. The body having beenencoffined, we two alone
bore it to its rest. The vault in whichwe placed it (and which had been so long unopened
that ourtorches, half smothered in its oppressive atmosphere, gave uslittle opportunity
for investigation) was small, damp, andentirely without means of admission for light;
lying, at greatdepth, immediately beneath that portion of the building in whichwas my own
sleeping apartment. It had been used, apparently, inremote feudal times, for the worst
purpose of a donjon-keep, and,in later days, <p 149> as a place of deposit for
powder, or someother highly combustible substance, as a portion of its floor,and the whole
interior of a long archway through which we reachedit, were carefully sheathed with
copper. The door, of massiveiron, had been, also, similarly protected. Its immense
weightcaused an unusually sharp grating sound, as it moved upon itshinges. Having
deposited our mournful burden upon tressels withinthis region of horror, we partially
turned aside the yetunscrewed lid of the coffin, and looked upon the face of thetenant. A
striking similitude between the brother and sister nowfirst arrested my attention; and
Usher, divining, perhaps, mythoughts, murmured out some few words from which I learned
thatthe deceased and himself had been twins, and that sympathies of ascarcely intelligible
nature had always existed between them. Our glances, however, rested not long upon the
dead--for we couldnot regard her unawed. The disease which had thus entombed thelady in
the maturity of youth, had left, as usual in all maladiesof a strictly cataleptical
character, the mockery of a faintblush upon the bosom and the face, and that
suspiciouslylingering smile upon the lip which is so terrible in death. Wereplaced and
screwed down the lid, and, having secured the doorof iron, made our way, with toil, into
the scarcely less gloomyapartments of the upper portion of the house. And now, some days
of bitter grief having elapsed, anobservable change came over the features of the mental
disorderof my friend. His ordinary manner had vanished. His ordinaryoccupations were
neglected or forgotten. He roamed from chamberto chamber with hurried, unequal, and
objectless step. Thepallor of his countenance had assumed, if possible, a moreghastly
hue--but the luminousness of his eye had utterly goneout. The once occasional huskiness of
his tone was heard nomore; and a tremulous quaver, as if of extreme terror,
habituallycharacterized his utterance. There were times, indeed, when Ithought his
unceasingly agitated mind was labouring with someoppressive secret, to divulge which he
struggled for thenecessary courage. At times, again, I was obliged to resolve allinto the
mere inexplicable vagaries of madness, for I beheld himgazing upon vacancy for long hours,
in an attitude of theprofoundest attention, as if <p 150> listening to some
imaginarysound. It was no wonder that his condition terrified--that itinfected me. I felt
creeping upon me, by slow yet certaindegrees, the wild influences of his own fantastic yet
impressivesuperstitions. It was, especially, upon retiring to bed late in the nightof the
seventh or eighth day after the placing of the LadyMadeline within the donjon, that I
experienced the full power ofsuch feelings. Sleep came not near my couch--while the
hourswaned and waned away. I struggled to reason off the nervousnesswhich had dominion
over me. I endeavoured to believe that much,if not all of what I felt, was due to the
bewildering influenceof the gloomy furniture of the room--of the dark and
tattereddraperies, which, tortured into motion by the breath of a risingtempest, swayed
fitfully to and fro upon the walls, and rustleduneasily about the decorations of the bed.
But my efforts werefruitless. An irrepressible tremor gradually pervaded my frame;and, at
length, there sat upon my very heart an incubus ofutterly causeless alarm. Shaking this
off with a gasp and astruggle, I uplifted myself upon the pillows, and, peeringearnestly
within the intense darkness of the chamber, hearkened--I know not why, except that an
instinctive spirit prompted me--tocertain low and indefinite sounds which came, through
the pausesof the storm, at long intervals, I knew not whence. Overpoweredby an intense
sentiment of horror, unaccountable yet unendurable,I threw on my clothes with haste (for I
felt that I should sleepno more during the night), and endeavoured to arouse myself
fromthe pitiable condition into which I had fallen, by pacing rapidlyto and fro through
the apartment. I had taken but few turns in this manner, when a light stepon an adjoining
staircase arrested my attention. I presentlyrecognized it as that of Usher. In an instant
afterwards herapped, with a gentle touch, at my door, and entered, bearing alamp. His
countenance was, as usual, cadaverously wan--but,moreover, there was a species of mad
hilarity in his eyes--anevidently restrained <i hysteria> in his whole demeanour.
Hisair appalled me--but anything was preferable to the solitudewhich I had so long
endured, and I even welcomed his presence asa relief. 'And you have not seen it?' he said
abruptly, after havingstared <p 151> about him for some moments in silence--'you
havenot then seen it?--but, stay! you shall.' Thus speaking, andhaving carefully shaded
his lamp, he hurried to one of thecasements, and threw it freely open to the storm. The
impetuous fury of the entering gust nearly lifted usfrom our feet. It was, indeed, a
tempestuous yet sternlybeautiful night, and one wildly singular in its terror and
itsbeauty. A whirlwind had apparently collected its force in ourvicinity; for there were
frequent and violent alterations in thedirection of the wind; and the exceeding density of
the clouds(which hung so low as to press upon the turrets of the house) didnot prevent our
perceiving the lifelike velocity with which theyflew careering from all points against
each other, withoutpassing away into the distance. I say that even their exceedingdensity
did not prevent our perceiving this--yet we had noglimpse of the moon or stars--nor was
there any flashing forth ofthe lightning. But the under surfaces of the huge masses
ofagitated vapour, as well as all terrestrial objects immediatelyaround us, were glowing
in the unnatural light of a faintlyluminous and distinctly visible gaseous exhalation
which hungabout and enshrouded the mansion. 'You must not--you shall not behold this!'
said I,shudderingly, to Usher, as I led him, with a gentle violence,from the window to a
seat. 'These appearances, which bewilderyou, are merely electrical phenomena not
uncommon--or it may bethat they have their ghastly origin in the rank miasma of thetarn.
Let us close this casement;--the air is chilling anddangerous to your frame. Here is one
of your favourite romances. I will read, and you shall listen;--and so we will pass away
thisterrible night together.' The antique volume which I had taken up was the <i
MadTrist> of Sir Launcelot Canning; but I had called it a favouriteof Usher's more in
sad jest than in earnest; for, in truth, thereis little in its uncouth and unimaginative
prolixity which couldhave had interest for the lofty and spiritual ideality of myfriend.
It was, however, the only book immediately at hand; andI indulged a vague hope that the
excitement which now agitatedthe hypochondriac, might find relief (for the history of
mentaldisorder is full of similar anomalies) even in the extremeness ofthe folly which I
should read. Could I have judged, indeed, bythe wild <p 152> overstrained air of
vivacity with which hehearkened, or apparently hearkened, to the words of the tale, Imight
well have congratulated myself upon the success of mydesign. I had arrived at that
well-known portion of the story whereEthelred, the hero of the Trist, having sought in
vain forpeaceable admission into the dwelling of the hermit, proceeds tomake good an
entrance by force. Here, it will be remembered, thewords of the narrative run thus: 'And
Ethelred, who was by nature of a doughty heart, and whowas now mighty withal, on account
of the powerfulness of the winewhich he had drunken, waited no longer to hold parley with
thehermit, who, in sooth, was of an obstinate and maliceful turn,but, feeling the rain
upon his shoulders, and fearing the risingof the tempest, uplifted his mace outright, and,
with blows, madequickly room in the plankings of the door for his gauntletedhand; and now
pulling therewith sturdily, he so cracked, andripped, and tore all asunder, that the noise
of the dry andhollow-sounding wood alarmed and reverberated throughout theforest.' At the
termination of this sentence I started, and for amoment, paused; for it appeared to me
(although I at onceconcluded that my excited fancy had deceived me)--it appeared tome
that, from some very remote portion of the mansion, therecame, indistinctly, to my ears,
what might have been, in itsexact similarity of character, the echo (but a stifled and
dullone certainly) of the very cracking and ripping sound which SirLauncelot had so
particularly described. It was, beyond doubt,the coincidence alone which had arrested my
attention; for, amidthe rattling of the sashes of the casements, and the
ordinarycommingled noises of the still increasing storm, the sound, initself, had nothing,
surely, which should have interested ordisturbed me. I continued the story: 'But the good
champion Ethelred, now entering within thedoor, was sore enraged and amazed to perceive no
signal of themaliceful hermit; but, in the stead thereof, a dragon of a scalyand
prodigious demeanour, and of a fiery tongue, which sate inguard before a palace of gold,
with a floor of silver; and uponthe wall there hung a shield of shining brass with this
legendenwritten-- <p 153> Who entered herein, a conquerer hath bin; Who slayeth the
dragon, the shield he shall win;and Ethelred uplifted his mace, and struck upon the head
of thedragon, which fell before him, and gave up his pesty breath, witha shriek so horrid
and harsh, and withal so piercing, thatEthelred had fain to close his ears with his hands
against thedreadful noise of it, the like whereof was never before heard.' Here again I
paused abruptly, and now with a feeling of wildamazement--for there could be no doubt
whatever that, in thisinstance, I did actually hear (although from what direction
itproceeded I found it impossible to say) a low and apparentlydistant, but harsh,
protracted, and most unusual screaming orgrating sound--the exact counterpart of what my
fancy had alreadyconjured up for the dragon's unnatural shriek as described by
theromancer. Oppressed, as I certainly was, upon the occurrence of thesecond and most
extraordinary coincidence, by a thousandconflicting sensations, in which wonder and
extreme terror werepredominant, I still retained sufficient presence of mind toavoid
exciting, by any observation, the sensitive nervousness ofmy companion. I was by no means
certain that he had noticed thesounds in question; although, assuredly, a strange
alterationhad, during the last few minutes, taken place in his demeanour. From a position
fronting my own, he had gradually brought roundhis chair, so as to sit with his face to
the door of the chamber;and thus I could but partially perceive his features, although
Isaw that his lips trembled as if he were murmuring inaudibly. His head had dropped upon
his breast--yet I knew that he was notasleep, from the wide and rigid opening of the eye
as I caught aglance of it in profile. The motion of his body, too, was atvariance with
this idea--for he rocked from side to side with agentle yet constant and uniform sway.
Having rapidly takennotice of all this, I resumed the narrative of Sir Launcelot,which
thus proceeded: 'And now, the champion, having escaped from the terriblefury of the
dragon, bethinking himself of the brazen shield, andof the breaking up of the enchantment
which was upon it, removedthe carcass from out of the way before him, and approached
<p154> valorously over the silver pavement of the castle to wherethe shield was upon
the wall; which in sooth tarried not for hisfull coming, but fell down at his feet upon
the silver floor,with a mighty great and terrible ringing sound.' No sooner had these
syllables passed my lips, than--as if ashield of brass had indeed, at the moment, fallen
heavily upon afloor of silver--I became aware of a distinct, hollow, metallic,and
clangorous, yet apparently muffled reverberation. Completelyunnerved, I leaped to my feet;
but the measured rocking movementof Usher was undisturbed. I rushed to the chair in which
he sat. His eyes were bent fixedly before him, and throughout his wholecountenance there
reigned a stony rigidity. But, as I placed myhand upon his shoulder, there came a strong
shudder over hiswhole person; a sickly smile quivered about his lips; and I sawthat he
spoke in a low, hurried, and gibbering murmur, as ifunconscious of my presence. Bending
closely over him, I atlength drank in the hideous import of his words. 'Not hear it?--yes,
I hear it, and <i have> heard it. Long--long--long--many minutes, many hours, many
days, have I heardit--yet I dared not--oh, pity me, miserable wretch that I am!--Idared
not--I <i dared> not speak! <i We have put her living inthe tomb>! Said I not
that my senses were acute? I <i now> tellyou that I heard her first feeble movements
in the hollow coffin. I heard them--many, many days ago--yet I dared not--<i I darednot
speak>! And now--to-night--Ethelred--ha! ha!--the breakingof the hermit's door, and the
death-cry of the dragon, and theclangour of the shield!--say, rather, the rending of her
coffin,and the grating of the iron hinges of her prison, and herstruggles within the
coppered archway of the vault! Oh whithershall I fly? Will she not be here anon? Is she
not hurrying toupbraid me for my haste? Have I not heard her footsteps on thestair? Do I
not distinguish that heavy and horrible beating ofher heart? MADMAN!' here he sprang
furiously to his feet, andshrieked out his syllables, as if in the effort he was giving
uphis soul--'MADMAN! I TELL YOU THAT SHE NOW STANDS WITHOUT THEDOOR!' As if in the
superhuman energy of his utterance there hadbeen found the potency of a spell--the huge
antique panels towhich the speaker pointed, threw slowly back, upon the instant,their
<p 155> ponderous and ebony jaws. It was the work of therushing gust--but then
without those doors there DID stand thelofty and enshrouded figure of the Lady Madeline of
Usher. Therewas blood upon her white robes, and the evidence of some bitterstruggle upon
every portion of her emaciated frame. For a momentshe remained trembling and reeling to
and fro upon the threshold,then, with a low moaning cry, fell heavily inward upon the
personof her brother, and in her violent and now final death-agonies,bore him to the floor
a corpse, and a victim to the terrors hehad anticipated. From that chamber, and from that
mansion, I fled aghast. The storm was still abroad in all its wrath as I found
myselfcrossing the old causeway. Suddenly there shot along the path awild light, and I
turned to see whence a gleam so unusual couldhave issued; for the vast house and its
shadows were alone behindme. The radiance was that of the full, setting, and blood-redmoon
which now shone vividly through that once barely-discerniblefissure of which I have before
spoken as extending from the roofof the building, in a zigzag direction, to the base.
While Igazed, this fissure rapidly widened--there came a fierce breathof the
whirlwind--the entire orb of the satellite burst at onceupon my sight--my brain reeled as
I saw the mighty walls rushingasunder--there was a long tumultuous shouting sound like
thevoice of a thousand waters--and the deep and dank tarn at my feetclosed sullenly and
silently over the fragments of the 'HOUSE OFUSHER'. |
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